Some people listen to music.
Some people feel music.
Some people feel music with dance, or in meditation, or through enormous sub woofers in the trunk of their car that pushes air so hard it can vibrate your soul.
This air is passion. This passion is bass, and the car is: a getaway, a chase, the escape.
Escapism has always been an adjective used to describe the dance. That's an outsider's view. Solidarity is what it really offers…
In Beirut the cars line up along the corniche, open their doors, and play music to the sea. Waves spill over the distorted synths. We performed this ritual on the street in front of Homeworks, 2012-13. In stereo automobiles ignite engines and speakers simultaneously. At the art fair in Abu Dhabi, 2014, we played the sound systems they only play loud in the desert. In Gwangju, 2016, cars turned up with the cherry blossoms, on the May 18 Democracy Square where the uprising took place. Machine music for waves and peoples and uprisings. Big bass cars gather in after hour parking lots and outside the National Theater in Mannheim, 2013, the second home of the automobile. Crews meet in Montreal, 2016, at the giant Orange Julep and the Mies Van Der Rohe most beautiful gas station ever. In Detroit, the first home of the automobile, they party in gas stations too, or meet up at the White Castle on Warren and Livernois on midnight Fridays.
Roads are the infinity of things.
On the open road, bass drifts, bass migrates. There is something fundamentally human about bass. It taps into our subconscious, it resonates deep inside us. Even though speakers have only been around since the 1930s, and subwoofers since the 1960s, it speaks to our most primal senses. Shortly after speakers were invented, DJ's were invented. Different types of music - such as dub and techno - were also invented and required new speaker sound designs, systems built to reproduce the new sounds. Ali Bazooka builds his sound systems to be big, bulky, wires exposed - digital South Beirut “Bazookas,” slang in Beirut for powerful automobile speaker systems, designed for throwing amplified distorted synthesizers playing digitized ancient futuristic folk songs, or techno. In Gwangju, Mr. Kim's elegant designs are clean and exact. One of the sound systems belonged to an iron workers union leader, so we played a union song during the performance. The UAE is more Hollywood with their systems, Montreal is more DIY, all are beautiful.
Dancers, Buildings, People in the Street.
Music is to architecture, as dance is to music. If you listen to music in a car, the acoustics are indebted to the road, or the sea, or a gas station. In cars, we are somewhere, in music we are somewhere else. What we love about noise is the way we lose ourselves in it. This loss of self is actually a hyper-awareness of the self, moving through feeling, in solidarity.
Automobile: performance by Joe Namy
September 21st, 7 pm. More info here.